SYNAPSIA

Detalhes

• DISCO TRILHA NOME
• 01 01 Absynthe
• 01 02 Geopurgatorio
• 01 03 Virtopsia
• 01 04 Brainsucker
• 01 05 Eutanasia


• Observações:
  THE NEURONIUM HISTORY 1977-2008 : 31 years of ELECTRONIC MUSIC by MICHEL HUYGEN MICHEL HUYGEN, synthesist, creates NEURONlUM in 1976. He records in 1977 for the English label EMI- HARVEST, the first album of NEURONIUM entitled QUASAR 2C361, also being the first disc of cosmic music never recorded in Spain . In 1978, NEURONIUM records their second album VUELO QUIMlCO, also for HARVEST, with the extraordinary participation of NlCO, then ex singer of the LOU REED's band, THE VELVET UNDERGROUND. Several important concerts: Plaza de Toros de Benidorm, Teatro Mart¡n de Madrid, Palacio de los Deportes de Bilbao (with a great success, by the way), and in the football stadium of Barakaldo in front of 11,000 people. The 7 of May 1978, NEURONIUM participates in the Festival of Science Fiction of Metz (France), representing Spain. In 1980, NEURONIUM leaves HARVEST and decides to record with Auvi . DIGITAL DREAM is the first album of NEURONIUM in it's new company, as a duo of keyboard players, with the contribution of a new guitarist called SANTI PICO. In February of 1981, NEURONIUM records it's new album THE VlSlTOR, a new step forward and simultaneously different in the style of the band . In March of 1981, the group travels for the first time to London, invited by VANGELlS, in order to perform together music composed by Michel Huygen, for a show of television, filmed by Spanish Television for it's program MUSICAL EXPRESS. The result is really amazing and the symbiosis is total between both styles and sounds. In May of 1981, album THE VISITOR is sold-out in one month after it's official release. After the release of CHROMIUM ECHOES, fifth album of NEURONIUM, Carlos Guirao leaves the group and therefore NEURONIUM follows, commanded exclusively by Michel Huygen, it's creator. Michel releases simultaneously the fifth album of NEURONIUM and his first solo album titled ABSENCE OF REALlTY, a very relaxing and intimate disc. We are in 1982. In 1983, Michel Huygen records the sixth album of NEURONIUM, INVISIBLE VlEWS, with Santi Pic¢ on guitar. At the end of 1983 and beginning of 1984, Michel Huygen records his second solo album titled CAPTURING HOLOGRAMS. Michel signs for the British label ZOMBA, that decides to release a new dedicated label of electronic music : it's name is JIVE ELECTRO. In September of 1984, NEURONIUM gives his first great concert in England, like head of poster of the prestigious British festival of electronic music UK ELECTRONICA 84. The concert achieves an enormous success with three encore, and the room of OCTAGON CENTER of Sheffield ...standstill . It is the big way-in of Neuronium in England. Probably due to his intuition, Michel decides to release onthe market an album with the sound track of the film OLYMPICALLY DIED, of which Michel, is author, under the generic title of BARCELONA 1992. The definitive mixing of this album takes place in January of 1986, and the release is in March of the same year,6 months before the election of Barcelona as city for the Olympic Games of Summer of 1992. In May of 1986, Michel is the person in charge of the department of electronic music of the Center of Art Queen Sof¡a of Madrid, inaugurated by Her Majesty the Queen that same month. In September of 1986, Michel Huygen and Santi Pic¢ play two concerts at the Planetarium of London next to the museum of Madame Tussaud. The music of BARCELONA 1992 is featured during this concert, with a laser beams spectacle by Laserium. In November of 1986, NEURONIUM gives an important concert in the S.I.M.O, fair of computer science of Madrid, offering the new spectacle of Tom s C.Gilsanz, as closing act of this international contest. In February of 1987, a special album of NEURONIUM is released, to celebrate the tenth anniversary on disc of the electronic music of Michel Huygen, it's title is ALMA (soul in English), and contains new mixes of well-known tracks by NEURONIUM, plus an unreleased track until then, but well by the audinece of TV's, since it is the signature tune of the prime time program of the TVE called LA TARDE. Between January an

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