GOLDBERG VARIATIONS (DVD)

Detalhes

• DISCO TRILHA NOME
• 01 01 Tureck, Rosalyn - Goldberg-Variationen, Aria Mit 3
• 01 10 Variation 7
• 01 11 Variation 8
• 01 12 Variation 9: Canone Alla Terza
• 01 13 Variation 10: Fughetta
• 01 14 Variation 11
• 01 15 Variation 12: Canone Alla Quarta
• 01 16 Variation 13
• 01 17 Variation 14
• 01 18 Variation 15: Canone Alla Quinta
• 01 19 Variation 16: Ouvertuere Und Fughetta
• 01 02 Opening Credits (Vorspann)
• 01 20 Variation 17
• 01 21 Variation 18: Canone Alla Sesta
• 01 22 Variation 19
• 01 23 Variation 20
• 01 24 Variation 21: Canone Alla Settima
• 01 25 Variation 22
• 01 26 Variation 23
• 01 27 Variation 24: Canone All'Ottava
• 01 28 Variation 25
• 01 29 Variation 26
• 01 03 Aria
• 01 30 Variation 27: Canone Alla Nona
• 01 31 Variation 28
• 01 32 Variation 29
• 01 33 Variation 30: Quodlibet
• 01 34 Aria Da Capo
• 01 04 Variation 1
• 01 05 Variation 2
• 01 06 Variation 3: Canone All'Unisono
• 01 07 Variation 4
• 01 08 Variation 5
• 01 09 Variation 6: Canone Alla Seconda


• Informações de Contra-Capa:
  "Quite unexpectedly , in the Winter of 1995,I received an invitation from Russia to perform in St. Petersburg in the following June/July at the time of the famous Russian White Nights.A festival was to be built around my performances.At first I did not see how I could accept.I was touring in the United States for five weeks with only a short period in between before conducting and lecturing in England.Russia wanted me to perform and lecture during that period, and continually sent faxes persuading me to come, saying,'All Russia is waiting for you'.
  In the end,this invitation proved irresistible to me because St. Petersburg is the city of my musical ancestry.My first teacher was Sophia Brilliant-Liven,a great Russian pianist who had studied with Anton Rubinstein and became his assistant.I worked with her from the age of nine and one half until almost fourteen.During those four yeras I heard her speak of Anton Rubinstein virtually all the time;her apartment was filled with photographs of him and the great pianist of the then-named Petrograd Conservatory.The original name,St. Petersburg, has now been returned,after having been renamed successively Stalingrad and Leningrad.Brilliant-Liven transferred to me the great tradition and high standards of musicianship and piano playing of Anton Rubinstein, and this formed a very firm and significant foundation for my musicianship and technique.
  My experiences in St. Petersburg,where Anton Rubinstein had founded its Conservatory,constituted for me a very deep emotional return,Although I had never been to St. Petersburg, the significance it has had for me throughout my life ,beginning with the profound memories of my early training,has now come full circle.After a lifetime of study and scholarly and performing experience throughout the world, I returned with much emotion to a scene and setting was the origin of my musical foundation and basic artistic standards."
  Rosalyn Tureck
  October 1995
  J.S.Bach : Aria with Thirty Variations,BWV 988, Clavierubung,Part IV
  
• Observações:
  
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• Áudio:
  Stereo
• Vídeo:
  Full Screen (Standard) - 1.33:1 [4:3]

Aviso

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